Impacto y tratamiento de las acciones artísticas de Banksy en la prensa española

  1. Terese Mendiguren Galdospin 1
  2. Koldobika Meso Ayerdi 1
  3. Jesús Pérez Dasilva 1
  4. María Ganzábal Learreta 1
  1. 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Revista:
Revista Latina de Comunicación Social

ISSN: 1138-5820

Año de publicación: 2023

Número: 81

Tipo: Artículo

DOI: 10.4185/RLCS-2023-1973 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Revista Latina de Comunicación Social

Resumen

Introduction: This paper analyzes the impact of the contents about Banksy in the four main Spanish newspapers. The aim is to detect the treatment that the press makes about this figure and determine if these newspapers publish content in the same proportion, which is the main theme, what are the graphic resources they use, if there are evaluative connotations, etc. Methodology: Some of the hypotheses suggest that Banksy manages to put the media focus on the cause that his actions vindicate and that the more conservative newspapers are more critical and limit the space dedicated to him. All the publications that contain the word Banksy have been analyzed with a sheet elaborated ad hoc for this study. A total of 2248 items have been recorded, out of 221 pieces analyzed. Results: The ABC newspaper is where the negative evaluative connotations emerges to a greater extent, but also the one that offers the most space to Banksy or his work, followed by El País. The case claimed by Banksy is barely covered by all the newspapers, being null in the case of El Mundo. Conclusions: It is verified that a conservative newspaper such as ABC does not necessarily limit its space to this type of content. In general, the figure of Banksy and his actions, highly adjectived in all the newspapers, take center stage against the cause that he vindicates. The iconic nature of the Banksy concept, used often by newspapers as a brand, can be confirmed.

Referencias bibliográficas

  • Abarca-Sanchís, J. (2010). El papel de los medios en el desarrollo del arte urbano. AACA Digital: Revista de la Asociación Aragonesa de Críticos de Arte, 12, 2. http://www.aacadigital.com/contenido.php?idarticulo=372
  • Aladro-Vico, E., Jivkova-Semova, D. y Bailey, O. (2018). Artivismo: Un nuevo lenguaje educativo para la acción social transformadora. Comunicar, 26(57), 9-18. https://bit.ly/42XftWt DOI: https://doi.org/10.3916/C57-2018-01
  • Allende, S. (2017). Arte Urbano. En: S. Allende, D. Barro, C. Jourdain, D. Vigueras, J. Segura y T. Simó, Arte urbano: de la calle al museo (p. 10). Comunidad Autónoma de la Región de Murcia. https://bit.ly/40DORIo
  • Alonso-Martínez, D., Navazo-Ostúa, P. y Oklay, T. (2018). Paralelismos entre el arte urbano y el artivismo Online: comparación de aspectos artísticos, comunitarios y comerciales. ASRI: Arte y sociedad. Revista de investigación, 15. https://dialnet.unirioja.es/servlet/articulo?codigo=6562330
  • Arce, A. (2020). Expresiones de arte urbano como forma de activismo político. Bpolitics Magazine. La relación entre arte y política, 14, 42-45. https://beersandpolitics.com
  • Ballaz-Bogunyá, X. (2009). El graffiti como herramienta social. Una mirada psicosocial a las potencialidades críticas del arte urbano. En: I. Markez-Alonso, A. Fernández-Liria y P. Pérez-Sales (Coords). Violencia y salud mental. Salud Mental y violencias institucional, estructural, social y colectiva (pp. 131-144). Asociación Española de Neuropsiquiatría.
  • Banksy. (2006). Wall and piece. Secker and Warburb.
  • Bardín, L. y Suárez, C. (1986). El análisis de contenido. Akal.
  • Bernárdez-Rodal, A., Padilla-Castillo, G., & Sosa-Sánchez, R. P. (2019). From Action Art to Artivism on Instagram: Relocation and instantaneity for a new geography of protest. Catalan journal of communication & cultural studies, 11(1), 23-37. https://doi.org/10.1386/cjcs.11.1.23_1 DOI: https://doi.org/10.1386/cjcs.11.1.23_1
  • Boero, G. (2018). Banksy e l’immagine di Londra: breve analisi dell’opera dello street artist britannico e delle sue conseguenze socio-culturali nella capitale del Regno Unito. Altre Modernità: Rivista di studi letterari e culturali, 20, 70-88. https://bit.ly/3UdGhxx
  • Borhes, K. (2018). Another attempt to explore the transient nature of post-graffiti through the history of a term. SAUC - Street Art and Urban Creativity, 4(1), 102-109. https://doi.org/10.25765/sauc.v4i1.128
  • Branczik, A. (2020). Authorship and Authenticity: Banksy. En: M. Bogre y N. Wolff (Eds.), The Routledge Companion to Copyright and Creativity in the 21st Century (pp. 160-162). Routledge. DOI: https://doi.org/10.4324/9781315658445-21
  • Brassett, J. (2009). British irony, global justice: A pragmatic reading of Chris Brown, Banksy and Ricky Gervais. Review of International Studies, 35(1), 219-245. https://doi.org/10.1017/S0260210509008390 DOI: https://doi.org/10.1017/S0260210509008390
  • Byrd, E. (2021). Anonymity Is Not for Losers: Examining the United Kingdom's Adherence to Intellectual Property Conventions. Geo. Wash. Int'l L. Rev., 53, 579-599. https://heinonline.org
  • Cunha, M. P., Clegg, S. R., Berti, M., Rego, A., & Simpson, A. (2021). Fully embracing the paradoxical condition: Banksy to organization theory. Organizational Aesthetics, 10(2), 50-67. https://oa.journals.publicknowledgeproject.org/index.php/oa/article/view/248
  • Dahlquist, A. (2019). Modern Civil Disobedience Through Art. https://conservancy.umn.edu
  • Delgado, M. (2013). Artivismo y pospolítica. Sobre la estetización de las luchas sociales en contextos urbanos. Quaderns-e de l'Institut Català d'Antropologia, 18(2), 68-80. https://bit.ly/40B9q89
  • DeTurk, S. (2015). The “Banksy Effect” and Street Art in the Middle East. SAUC - Street Art and Urban Creativity, 1(2), 22-30. https://doi.org/10.25765/sauc.v1i2.25
  • Diógenes, P. C. R. (2011). Banksy: Street art para al novas gerações. Travessias, 5(3). https://bit.ly/435fLdG
  • Fernández Herrero, E. (2018). Origen, evolución y auge del arte urbano. El fenómeno Banksy y otros artistas urbanos [Tesis doctoral, Universidad Complutense de Madrid].
  • Foushée, D. (2019). Street art hunting: Instagram and the gamification of creative placemaking. https://bit.ly/434uxS8
  • Gándara, I. y Marfil-Carmona, R. (2016). Arte urbano y medios de comunicación. Análisis del impacto mediático de la iniciativa “Madrid, te comería a versos”. En: F. García-García, M. L. García-Guardia y E. Taborda-Hernández (Coords.), Actas IV Congreso Internacional Ciudades Creativas, 376-388. Universidad Complutense de Madrid. https://digibug.ugr.es/handle/10481/49436
  • García-Marín, O. (2020). Banksy. ¿Una marca o una estrategia de branding? [Trabajo Fin de Grado, Unibersitat Oberta de Catalunya]. https://openaccess.uoc.edu/bitstream/10609/109067/7/ogarciamarinTFG0120memoria.pdf
  • Goldstein C. (2020). Banksy just made a surprisingly earnest painting of a Superhero Nurse and donated it to a British Hospital as a morale booster. Artnet news. https://news.artnet.com/art-world/banksy-hospital-donation-1854333
  • Gonçalves, K., & Milani, T. M. (2022). Street art/art in the street-semiotics, politics, economy. Social Semiotics, 32(4), 425-443. https://doi.org/10.1080/10350330.2022.2114724 DOI: https://doi.org/10.1080/10350330.2022.2114724
  • Gotta, G. (2020). Instagram y las instancias de reconocimiento artístico. Usos y efectos de la plataforma digital [Trabajo Fin de Máster, Universitat de Barcelona]. http://diposit.ub.edu/dspace/handle/2445/171795
  • Graham-Harrison, E. (2017). Worst view in the world: Banksy opens hotel overlooking Bethlehem wall. The Guardian. https://bit.ly/40WUdy9
  • Hutter, M. (2021). Three views of a saleroom. Valorization in and valuation of visual artworks by (mostly) Watteau, Altman and Banksy. Journal for Art Market Studies, 5(1). https://doi.org/10.23690/jams.v5i1.131
  • Igartua, J. J. (2006). Métodos cuantitativos de investigación en comunicación. Bosch
  • Jones, J. (2014, 2 de octubre). Banksy wanted Clacton-on-Sea to confront racism – instead it confronted him. The Guardian. https://bit.ly/2K5IedI
  • Kang, X., Chen, W. y Kang, J. (2019). Art in the age of social media: Interaction behaviour analysis of Instagram art accounts. Informatics, 6(4). https://doi.org/10.3390/informatics6040052 DOI: https://doi.org/10.3390/informatics6040052
  • Khader, J. (2020). Architectural parallax, neoliberal politics and the universality of the Palestinian struggle: Banksy’s Walled Off hotel. European Journal of Cultural Studies, 23(3), 474-494. https://doi.org/10.1177/1367549420902787 DOI: https://doi.org/10.1177/1367549420902787
  • Khan, G. A. (2010). Connolly’s Embodied Politics: Revolutionising the Practices of Everyday Life. En: A. Finlayson (Ed.). Democracy and Pluralism: The Political Thought of William E. Connolly (pp. 165-182). Routledge.
  • Krippendorff, K. (1990). Metodología de análisis de contenido: Teoría y práctica. Paidós.
  • Landis J. R., & Koch, G. G. (1977). The measurement of observer agreement for categorical data. Biometrics, 33(1), 159 174. https://doi.org/10.2307/2529310 DOI: https://doi.org/10.2307/2529310
  • López, A. (1994). El arte de la calle. Reis: Revista Española de Investigaciones Sociológicas, 84, 173-194. https://doi.org/10.2307/40184082 DOI: https://doi.org/10.2307/40184082
  • MacDowall, L. (2019). InstaFame: Graffiti and Street Art in the Instagram Era. Intellect Books. DOI: https://doi.org/10.1386/9781783209835
  • Marcos-Alba, C. L. y Juan-Gutiérrez, P. J. (2022). Banksy, humor británico e ironía ácida grafiteados. Sentido, significado e inversión del ready-made en el arte urbano. Arte, Individuo y Sociedad, 34(1), 233-253. https://dx.doi.org/10.5209/aris.73514 DOI: https://doi.org/10.5209/aris.73514
  • Méndez, M. (2022). El Artivismo a través de la obra de Ai Wei Wei [Trabajo de Fin de Grado]. Universidad Pontifica de Comillas. https://repositorio.comillas.edu/xmlui/handle/11531/56830
  • Milani, T. M. (2022). Banksy’s Walled Off Hotel and the mediatization of street art. Social Semiotics, 32(4), 545-562. https://doi.org/10.1080/10350330.2022.2114730 DOI: https://doi.org/10.1080/10350330.2022.2114730
  • Moriente, D. (2015). De vándalo a artista: Banksy. Anuario del Departamento de Historia y Teoría del Art, 27, 31-52. http://dx.doi.org/10.15366/anuario2015.002 DOI: https://doi.org/10.15366/anuario2015.002
  • Muslemani, M. (2017). Funduq Banksy: Altatbee’ ma’ aljedar wabaneeh. Banksy’s hotel: Normalizing the wall and its builders. Refugeesps. http://refugeesps.net/post/2838
  • Nassar, T. (2017). Banksy’s ‘Walled Off hotel’ is a form of gentrification. Mondoweiss. https://mondoweiss.net/2017/03/banksys-walled-gentrification
  • Pérez-Rubio, A. M. (2013). Arte y política: Nuevas experiencias estéticas y producción de subjetividades. Comunicación y sociedad, 20, 191-210. https://doi.org/10.32870/cys.v0i20.226 DOI: https://doi.org/10.32870/cys.v0i20.226
  • Ross, J. I., Lennon, J. F., & Kramer, R. (2020). Moving beyond Banksy and Fairey: Interrogating the co-optation and commodification of modern graffiti and street art. Visual Inquiry, 9(1-2), 5-23. https://doi.org/10.1386/vi_00007_2 DOI: https://doi.org/10.1386/vi_00007_2
  • Sauda, E., Wessel, G., & Karduni, A. (2021). Banksy. In: Social Media and the Contemporary City. Routledge. DOI: https://doi.org/10.4324/9781003026068
  • Shannon, B. (2019). Urban Design and Public Art on Instagram. In The New Companion to Urban Design. Routledge. DOI: https://doi.org/10.4324/9780203731932-66
  • Tortosa-Ibáñez, L. (2019). El artista posicionado. Arte político, social y comprometido en contextos de conflicto [Tesis doctoral. Universidad de Granada]. Repositorio Institucional de la Universidad de Granada http://hdl.handle.net/10481/55499
  • Valesi, M. (2014). Topsy – Turvy – Tricks… Banksy! On the w@terfront, 30, 4-22. https://raco.cat/index.php/Waterfront/article/view/280170
  • Vince, R. (2021). Reflections on the role of bemusement in institutional disruption. Journal of Management Inquiry, 30(3), 273-284. https://doi.org/10.1177/1056492619872272 DOI: https://doi.org/10.1177/1056492619872272
  • Warren, C., Batra, R., Loureiro, S. M. C. y Bagozzi, R. P. (2019). Brand coolness. Journal of Marketing, 83(5), 36-56. https://doi.org/10.1177/0022242919857698 DOI: https://doi.org/10.1177/0022242919857698
  • Zárate, L. (2019). Saving Banksy. Museos, comercialización y arte callejero. Dar a Leer. Revista de Educación Literaria, 1(1), 8-10. http://170.210.83.53/index.php/daraleer/article/view/2286
Fuente de los datos: Dialnet