Publicaciones en las que colabora con João Zilhão (16)

2024

  1. Population genomics of post-glacial western Eurasia

    Nature, Vol. 625, Núm. 7994, pp. 301-311

  2. Publisher Correction: Populatiosn genomics of post-glacial western Eurasia (Nature, (2024), 625, 7994, (301-311), 10.1038/s41586-023-06865-0)

    Nature

2018

  1. Dates for Neanderthal art and symbolic behaviour are reliable

    Nature Ecology and Evolution

  2. Response to comment on “U-Th dating of carbonate crusts reveals neandertal origin of iberian cave art”

    Science, Vol. 362, Núm. 6411

  3. U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art

    Science, Vol. 359, Núm. 6378, pp. 912-915

2017

  1. Dating Palaeolithic cave art: Why U–Th is the way to go

    Quaternary International, Vol. 432, pp. 41-49

  2. U-series dating of Palaeolithic rock art at Fuente del Trucho (Aragón, Spain)

    Quaternary International, Vol. 432, pp. 50-58

2016

  1. Datación por la serie del uranio de formaciones de calcita asociadas a pinturas rupestres paleolíticas en la cueva de Las Aguas

    Proyecto de investigación "Los tiempos de Altamira": actuaciones arqueológicas en las cuevas de Cualventi, El Linar y Las Aguas (Alfoz de Lloredo, Cantabria, España) (Subdirección General de Documentación y Publicaciones), pp. 775-792

  2. Methods for U-series dating of CaCO3 crusts associated with Palaeolithic cave art and application to Iberian sites

    Quaternary Geochronology, Vol. 36, pp. 104-119

  3. The technology of the earliest European cave paintings: El Castillo Cave, Spain

    Journal of Archaeological Science, Vol. 70, pp. 48-65

2015

  1. A common genetic origin for early farmers from mediterranean cardial and central european LBK cultures

    Molecular Biology and Evolution, Vol. 32, Núm. 12, pp. 3132-3142

  2. Are hand stencils in european cave art older than we think? an evaluation of the existing data and their potential implications

    Prehistoric Art as Prehistoric Culture: Studies in Honour of Professor Rodrigo de Balbín-Behrmann (Archaeopress), pp. 31-43

  3. The chronology of hand stencils in European Palaeolithic rock art: Implications of new u-series results from el Castillo cave (Cantabria, Spain)

    Journal of Anthropological Sciences, Vol. 93, pp. 135-152

2013

  1. Uranium series dating reveals a long sequence of rock art at Altamira Cave (Santillana del Mar, Cantabria)

    Journal of Archaeological Science, Vol. 40, Núm. 11, pp. 4098-4106

2012

  1. En los orígenes del arte rupestre Paleolítico: dataciones por la serie del Uranio en las cuevas de Altamira, El Castillo y Tito Bustillo

    Pensando el Gravetiense: nuevos datos para la región cantábrica en su contexto peninsular y pirenaico (Ministerio de Educación Cultura y Deporte), pp. 461-475

  2. U-series dating of paleolithic art in 11 caves in Spain

    Science, Vol. 336, Núm. 6087, pp. 1409-1413