Gráfica expandida en el cambio de milenioDerivas gráficas en la obra de Lucian Freud, Kiki Smith y Thomas Kilpper

  1. Arteagoitia Garcia, David 1
  1. 1 Universidad del País Vasco / Euskal Herriko Unibertsitatea (UPV/EHU). Dpto. Dibujo
Journal:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510,  2340-9134

Year of publication: 2023

Issue Title: Grafika: Prácticas y discursos

Volume: 11

Issue: 1

Pages: 167-181

Type: Article

DOI: 10.1387/AUSART.24272 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

Abstract

This article explores the connections between printmaking and other disciplines of contemporary art through the chronological study of the work of three relevant artists of the turn of the millennium. His work broadens the conception of printmaking by questioning its technical/conceptual limits, evidencing an evolution of printmaking to an expanded terrain where borders are blurred and language is enriched. We will analyze the case of Lucian Freud and his non-mimetic link with painting in his particular review of traditional techniques, Kiki Smith and the expansion of her sculptural work with the body turned into a matrix, and the ground as a record of collective and individual memory in Thomas Kilpper's site specific woodcuts. Analyzing several of his most relevant works, we will try to show the drifts generated in his hybridization with other media, as well as delve into the conceptual and processual aspects of expanded printmaking.

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Data source: Dialnet