En torno a la narración y la escena de mensajero en Agamenón de Esquilo

  1. Encinas Reguero, María del Carmen 1
  1. 1 Universidad del País Vasco (UPV/EHU), España
Aldizkaria:
Synthesis

ISSN: 0328-1205,  1851-779X

Argitalpen urtea: 2022

Alea: 29

Zenbakia: 2

Mota: Artikulua

DOI: 10.24215/1851779XE120 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Synthesis

Laburpena

Despite being one of the oldest surviving tragedies, Aeschylus’ Agamemnon shows great originality and compositional mastery. In this paper, attention is focused, on the one hand, on the narration, which is delayed at the end of the tragedy and in which the chronological order is reversed, and, on the other hand, on the messenger scene, which is anticipated by the torch scene, where the main character is Clytemnestra. The comparison of both scenes shows how Aeschylus opposes different forms of communication, drawing attention to the imperfection of any communicative act and producing a meta-theatrical reflection on the authority of the narrative voice.

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