Behin Batean. Peter Kivyren azkena baino gehiago

  1. Korta, Kepa 1
  1. 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Journal:
Gogoa: Euskal Herriko Unibersitateko hizkuntza, ezagutza, komunikazio eta ekintzari buruzko aldizkaria

ISSN: 1577-9424

Year of publication: 2023

Issue: 23

Pages: 13-29

Type: Article

DOI: 10.1387/GOGOA.23252 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Gogoa: Euskal Herriko Unibersitateko hizkuntza, ezagutza, komunikazio eta ekintzari buruzko aldizkaria

Abstract

The late Peter Kivy, author of multiple works in the philosophy of music and literature, and philosophy of art in general, got to know the Donostia and the University of the Basque Country. It was not directly through the Philosophy department, but through the Institute for Logic, Cognition, Language and Information (ILCLI). Kivy left an impact on the Basque research on aesthetics and the philosophy of art. A modest impact but an impact that is called to last. This is a chronicle of Kivy’s story with Donostia.

Bibliographic References

  • Agirrebaltzategi, Ana. 2014. The Place of Emotions in Music. Master-tesia, UPV/EHU.
  • Agirrebaltzategi, Ana.2017. Emotions as Aesthetic Properties of Absolute Music. Doktore-tesia, UPV/EHU.
  • Cocquyt, Hilde.2014. An Inquiry into Art Induced Epiphanies. Master-tesia, UPV/EHU.
  • Fernández Cotarelo, Aida.2015. An Agent-Centered Approach to Dance Improvisation. Master-tesia, UPV/EHU.
  • Fernández Cotarelo, Aida.2021. The Appreciative Experience of Dance as Art: A conceptual and empirical investigation. Doktore-tesia, UPV/EHU.
  • Jackendoff, Ray eta Fred Lerdahl.1983.A Generative Theory of Tonal Music. Cambridge, MA: MIT Press.
  • Kivy, Peter.1993. The FineArt of Repetition. Essays in the Philosophy of Music. Cambridge: Cambridge University Press.
  • Kivy, Peter.2007. Music, Language, and Cognition. Oxford: Oxford University Press.
  • Kivy, Peter.2012. Sounding Off. Oxford: Oxford University Press.
  • Kivy, Peter.2015. De Gustibus. Arguingabout Taste and Why We Do It.Oxford: Oxford University Press.
  • Kivy, Peter.2019. Once upon a Time. Essays in the Philosophy of Literature (Aaron Meskinek atondua). Londres: Rowman & Littlefield.
  • Korta, Kepa. 2003. “Peter Kivy:Introduction to a philosophy of music”.GogoaIII-2: 291-95.
  • Korta, Kepa.2016. “Peter Kivy:De Gustibus. Arguingabout Taste and Why We Do It”.Gogoa15: 43-66. DOI: 10.1387/gogoa.17257.
  • Korta, Kepa.2017. “The meanings and contents of aesthetic statements”.In R.Giora etaM.Haugh (arg.),Doing Pragmatics Interculturally: Cognitive, Philosophical and Sociopragmatic Perspectives on Language.Berlin: Mouton de Gruyter, 399-417.
  • Korta, Kepa eta Jesus M. Larrazabal (arg).2004. Truth, Rationality, Cognition and Music. Dordrecht: Kluwer.
  • Lamarque, Peter.2014. The Opacity of Narrative. Londres: Rowman & Littlefield.
  • Recabarren, Carlos Nahuel.2015. An investigation into the meaning of non-linguistic art. Master-tesia, UPV/EHU.
  • Sibley, Frank.1959. “Aesthetic Concepts”. Philosophical Review68: 421-50. Berrargitaratua in P.Lamarque etaS.H.Olsen (arg.), 2004, Aesthetics and the of Art. The Analytic Tradition.Oxford: Blackwell, 127-41.