Apuntes sobre un espacio sonoroSun & sea (marina). Just singing on the beach

  1. Beatriz Cavia Pardo 1
  2. Concepción Elorza Ibáñez de Gauna 2
  1. 1 UOC Universitat Oberta de Catalunya
  2. 2 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Aldizkaria:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510,  2340-9134

Argitalpen urtea: 2021

Zenbakien izenburua: Sonidos urbanos: música, sonido y sociedad

Alea: 9

Zenbakia: 1

Orrialdeak: 161-173

Mota: Artikulua

DOI: 10.1387/AUSART.22676 DIALNET GOOGLE SCHOLAR lock_openSarbide irekia editor

Beste argitalpen batzuk: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

Laburpena

This text analyzes the piece Sun & Sea (Marina), which was awarded the Golden Lion for the best national participation at the 58th Venice Art Biennale (2019). Although the ecological message of the work has usually been highlighted, it also triggers some other interesting reflections and connects with various aspects of the analysis of our own time to be in-depth explored and reviewed. Thus, we explore its associations with the creative activity previously carried out by its authors, the way it tangles with pieces by other Lithuanian artists, and how it intertwines the conceptual developments of various thinkers who cast a critical eye on our contemporary society and the values on which it is based. Likewise, we carefully observe the consequences of the use of the opera-performance format and the possibilities it unfolds to promote projection from the spectators' own experience, making use of scripted live-action and sung dialogues, drawn from irony and humour as support for critical positions.

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Datuen iturria: Dialnet