Configurando Melbourne desde el street artestrategias en la negociación de espacios públicos

  1. Ana María Liñero Reglero
  2. Elizabeth Pérez Izaguirre
Journal:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510 2340-9134

Year of publication: 2014

Issue Title: Arte, esfera pública y política

Volume: 2

Issue: 2

Pages: 140-149

Type: Article

More publications in: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

Abstract

This article proposes to study the relationship between politics of negotiation and “public space” in the case of street art in Melbourne. This art, far from being developed by conventional institutional channels, is originated and uses public space as support. This provokes that every city and citizen position towards this kind of art with their own views and rules. This has as a consequence, a multiple understanding of “public space”. The general analysis of this kind of art will be localized in the particular patterns of Melbourne, from the perspective of philosophy of culture. This will range from the political planning adopted by authorities, to the new development of conceptions of “public space”; that usually ranges from legality to illegality.

Bibliographic References

  • Abarca Sanchís, Francisco Javier. 2010. El posgraffiti, su escenario y sus raíces : graffiti, punk, skate y contrapublicidad. Madrid: Universidad Complutense de Madrid
  • Appleton, Josie. 2005. “Reclaim our streets”, The Spectator, 10 de diciembre. http://archive.spectator.co.uk/article/10th-december-2005/42/reclaim-our-streets
  • Blanché, Ulrich. 2012. “Banksy y Damien Hirst : estrategias artísticas frente a la sociedad de consumo”. De Arte 11: 263-74
  • Dickens, Luke. 2008. “’Finders keepers’ Performing the street, the gallery and the spaces in-between”. Liminalities : A Journal of Performance Studies 4 (1): 1-30
  • Dovey, Kim, Simon Wollan, and Ian Woodcock. 2012. “Placing graffiti : creating and contesting character in inner-city Melbourne”. Journal of Urban Design, 17 (1): 21-41
  • Figueroa-Saavedra, Fernando. 2007. “Estética popular y espacio urbano : el papel del Graffiti, la gráfica y las intervenciones de calle en la configuración de la personalidad de barrio”. Revista de Dialectología y Tradiciones Populares LXII (1): 114-44
  • Figueroa-Saavedra, Fernando. 2005. Graffiti y espacio urbano. Cuadernos de Minotauro 1: 9-14
  • Goodman, Nelson. 1978. Maneras de hacer mundos. 1ª ed. Madrid: Hackett
  • Herrera, Martha Cecilia, and Vladimir Olaya. 2011. “Ciudades tatuadas : arte callejero, política y memorias visuales”. Nómadas 35: 99-116
  • Hillary, Fiona, and Shanti Sumartojo. 2014. “Empty-nursery blue : on atmosphere, meaning and methodology in Melbourne Street Art”. Public Art Dialogue 4 (2): 201-20
  • Iveson, Kurt. 2010. “The wars on graffiti and the new military urbanism”. City Analysis of Urban Trends, Culture, Theory, Policy, Action 14 (1-2): 115-34
  • Iveson, Kurt. 2013. “War is over (if you want it) : rethinking the graffiti problem”. Australian Planner 46 (4): 24-34
  • López Barajas, Luis Arturo, and Melissa Guadalupe Retamoza Ávila. 2013. “El arte callejero, nuevo paradigma turístico del siglo XXI”. Topofilia Revista de Arquitectura, Urbanismo y Ciencias Sociales Centro de Estudios de América del Norte-El Colegio de Sonora, IV (1)
  • McAuliffe, Cameron. 2012. “Graffiti or street art? : negotiating the moral geographies of the creative city”. Journal of Urban Affairs 34 (2): 189-206
  • McDowall, Lachlan. 2006. “In praise of 70K : Cultural heritage and graffiti style”. Continuum: Journal of Media & Cultural Studies 20 (4): 471-84
  • McGaw, Janet. 2008. “Complex relationships between détournement and récupération in Melbourne's street (graffiti and stencil) art scene”. Architectural Theory Review 13 (2): 222-39
  • Meléndez, Amelia. 2013. “Ilustradores de pared en Madrid”. Arte y Ciudad: 569-86
  • Merrill, Samuel. 2011. “Graffiti at heritage places: vandalism as cultural significance or conservation sacrilege?” Time and Mind: The Journal of Archaeology, Consciousness and Culture 4 (1): 59-76
  • Merrill, Samuel. 2014. “Keeping it real? : subcultural graffiti, street art, heritage and authenticity”. International Journal of Heritage Studies: 1-21
  • Quentin, Stevens, and Kim Dovey. 2010. “Appropriating the spectacle: play and politics in a leisure landscape”. Journal of Urban Design 9 (3): 351-65
  • Reinecke, Julia. 2007. Street-art: Eine Subkultur zwischen Kunst und Kommerz. Frankfurt: Transcript
  • Sandercock, Leonie, and Kim Dovey. 2007. “Pleasure, politics, and the “Public interest”: Melbourne's riverscape revitalization”. Journal of the American Planning Association 68 (2): 151-64
  • Visconti, Luca, Stefania Borghini, and Laurel Anderson. 2010. “Street art, sweet art? reclaiming the “Public” in public place”. Journal of Consumer Research, Inc. 37 (3): 511-29
  • Young, Alison. 2010. “Negotiated consent or zero tolerance? responding to graffiti and street art in Melbourne”. City: Analysis of Urban Trends, Culture, Theory, Policy, Action 14 (1-2): 99-114
  • Young, Alison. 2014. “The art of public secrecy”. Australian Feminist Law Journal 35 (1): 57-74