Las materializaciones circulantes de la performanceuna tipología

  1. Nerea Ayerbe Elola 1
  1. 1 Universidad de Deusto
    info

    Universidad de Deusto

    Bilbao, España

    ROR https://ror.org/00ne6sr39

Revue:
Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

ISSN: 2340-8510,  2340-9134

Année de publication: 2017

Titre de la publication: Los circuitos del arte: encrucijadas y derivas del arte contemporáneo

Volumen: 5

Número: 2

Pages: 79-96

Type: Article

DOI: 10.1387/AUSART.18137 DIALNET GOOGLE SCHOLAR lock_openAccès ouvert editor

D'autres publications dans: Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte

Résumé

Performance art has been defined as an artistic action determined by its ephemeral condition. This has meant that the incorporation of performance into the institutional and commercial circuits of art has been mainly served by its materialization. Academic attention to this phenomenon has mainly focused on the category of documentation and has often done so with a historical vocation. This article, driven by a typological and non-diachronic interest, proposes a classification of the various ways of materializing performance that is not based on the type of support of its record (video, photography, etc.), but, more broadly, in the spatio-temporal relationship between performance and various materials. This classification is divided on the categories of object and document.

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La source de données: Dialnet