Narración, actuación y poesíael híbrido femenino vs. canon

  1. Loreta de Stasio 1
  1. 1 Universidad del País Vasco/Euskal Herriko Unibertsitatea
    info

    Universidad del País Vasco/Euskal Herriko Unibertsitatea

    Lejona, España

    ROR https://ror.org/000xsnr85

Journal:
Tropelias: Revista de teoría de la literatura y literatura comparada

ISSN: 1132-2373

Year of publication: 2020

Issue: 34

Pages: 363-372

Type: Article

More publications in: Tropelias: Revista de teoría de la literatura y literatura comparada

Abstract

What are the traits that define female literary production? Is it possible to change the canon of literature by inserting female production with its characteristics without incurring transgressions? Can the canon be opened to new forms of literature? In attempting to ask ourselves these questions, we define thestate of the current question on the concept of canon and draw up proposals for subversion of the canon in terms of fusion of genres, analyzing a concrete case of female literary-theatrical production —quite isolated too, and even more if declined in the feminine—in the context of slam-poetry.